{"id":457,"date":"2017-08-27T20:04:39","date_gmt":"2017-08-27T20:04:39","guid":{"rendered":"http:\/\/www.rhondaholberton.com\/wp\/?p=457"},"modified":"2017-08-27T20:04:39","modified_gmt":"2017-08-27T20:04:39","slug":"rhonda-holberton-cvb","status":"publish","type":"post","link":"https:\/\/www.rhondaholberton.com\/wp\/rhonda-holberton-cvb\/","title":{"rendered":"Rhonda Holberton CVb"},"content":{"rendered":"

EDUCATION<\/strong>
\nMFA, Stanford University, 2012
\nBFA, California College of the Arts, 2007<\/p>\n

ACADEMIC APPOINTMENTS<\/strong>
\n2017 Assistant Professor Digital Media Arts, San Jose State University
\n2015 Lecturer, Stanford University<\/p>\n

SOLO & TWO PERSON EXHIBITIONS<\/strong>
\n2017 Still Life, Aimee Friberg Exhibitions, San Francisco CA*
\n2016 Rhonda Holberton, ZONA MACO SUR, Mexico City, Curated by Jo\u00e3o Mour\u00e3o and Luis Silva, Co-directors at Kunsthalle Lissabon, Lisbon
\n2016 Rhonda Holberton, Aimee Friberg Exhibitions, San Francisco CA (forthcoming)
\n2016 Rhonda Holberton, Land & Sea, Oakland, CA (forthcoming)
\n2015 Rhonda Holberton & James Cordas, City Limits, Oakland, CA
\n2015 You Are Something That the Whole World is Doing, Berkeley Art Center
\n2014 The Italian Navigator has Landed in the New World, Royal Nonesuch Gallery, Oakland CA
\n2014 YOU BECAUSE FREE INSTANTLY NEW, ProArts, Oakland CA*
\n2014 Rhonda Holberton, Aimee Friberg Exhibitions, San Francisco CA
\n2013 Two Otherwise Distant Points, Mesa, San Francisco, CA<\/p>\n

SELECTED GROUP EXHIBITIONS<\/strong>
\n2017 Coming of Age, Sector 2337, Chicago, IL
\n2016 Third Party, CNTRL+SHFT, Oakland, CA
\n2016 Perhaps We Could Chat Through a Few Specifics, FIFI Projects, Mexico City, Mexico
\n2015 MESA Retrospective, The Age of Multiples, Los Angeles, CA
\n2014 The Battery, The Battery, San Francisco, CA
\n2013 SJICA Annual Juried Art Exhibition, San Jose Institute of Contemporary Art, San Jose, CA
\n2013 The Long Conversation, Southern Exposure, San Francisco, CA
\n2013 NextNewCA, San Jose Institute of Contemporary Art, San Jose, CA
\n2012 Introductions, Root Division, San Francisco CA
\n2012 Visible Horizons, San Francisco Arts Commission Main Gallery, SF CA*
\n2012 Never Odd or Even, Root Division, San Francisco CA*
\n2010 Heretical Hierarchy Thomas Welton Stanford Art Gallery, Stanford, CA<\/p>\n

*indicates catalog<\/em><\/p>\n

RESIDENCIES & AWARDS<\/strong>
\n2016 Autodesk Artist in Residence (deferred)
\n2014-2015 Honorary Artist in Residence Kala, Berkeley
\n2014 Project Grant, ProArts, Oakland
\n2014 CAMAC, Artist in Residence, Marnay-sur-Seine, France
\n2014 Fellowship, Fondation T\u00e9not, Paris, France
\n2013 Project Grant, Southern Exposure, San Francisco
\n2012 SFMoMA SECA Grant Nomination
\n2012 Project Grant, San Francisco Arts Commission
\n2000-2007 Presidential Scholarship, California College of the Arts
\n2007 Best of Junior Review, California College of the Arts
\n2006 Project Sponsorship, Design Out of the Box<\/p>\n

BIBLIOGRAPHY<\/strong>
\n2017 Biel, Kim. \u2018Rhonda Holberton – Still Life.\u2019 Paper Journal. May 2, 2017
\n2017 Sparks, Heather. \u2018Rhonda Holberton: The Rendered Life.\u2019 Plasma. Issue 03 p 146-147.
\n2017 Westin, Monica. \u2018Post Photography and the Contemporary Economy: Ten Images.\u2019 SFAQ.
\n2016 Stromberg, Zona MACO\u2019s Curated Sections Bring a Welcome Coherence to the Art Fair<\/a> Hyperallergic. Feb 5, 2016.
\n2016 Zona Maco Sur.<\/a> Barnebys (Sweden)
\n2015 Moss, Ceci. \u2018First Look: Rhonda Holberton.\u2019 Art in America. April 2015 (Print & Online<\/a>)
\n2015 Gross, Elena. \u2018Cold Storage: James Cordas and Rhonda Holberton.<\/a>\u2019 Daily Serving.
\n2015 Lutz, Leora. \u2018DISPARATE MEASURES<\/a>.\u2019 SFAQ.
\n2014 Haak-Frendscho, E. Maude. \u2018Rhonda Holberton at Royal Nonesuch Gallery<\/a>.\u2019 Temporary Art Review.
\n2014 Lutz, Leora. \u2018YOU BECAUSE FREE INSTANTLY NEW.\u2019 Exhibition Catalogue.
\n2014 Simons, Amanda N. \u2018Rhonda Holberton: YOU BECAUSE FREE INSTANTLY NEW<\/a>.\u2019
\n2012 Hotchiss, Sarah. Subtle Explorations of Line in SFAC’s ‘Visible Horizons.<\/a>‘ KQED.
\n2012 Shultz, Oliver. \u2018Catastrophe and the Poetics of Mediation\u2019, Never Odd or Even Exhibition Catalog. Stanford University Department of Art & Art History.
\n2012 Skelton Simon, Sydney. \u2018To the Limit\u2019, Never Odd or Even Exhibition Catalog, Stanford University Department of Art & Art History.
\n2006 Del Conte, Natali T.. \u2018Yahoo Designers Lick Mice, Race Babies. PC Magazine.\u2019<\/p>\n

INVITED LECTURES<\/strong>
\n2017 Leonardo Art Science Evening Rendezvous San Jose State University, CA
\nPublic Lecture Series, San Jose State University, San Jose, CA
\n2016 Experimental Drawing (Faculty: Yulia Pinkusevich), Mills College, CA
\nGraduate Lecture Series, California State University, Hayward CA
\nGraduate Seminar (Faculty: Kim Anno), CCA San Francisco, CA
\nSenior Capstone (Faculty: Dana Hemenway), CSU East Bay, Hayward, CA
\n2015 Leonardo Art Science Evening Rendezvous UC Davis, CA
\nIntermediate Photography (Faculty: Jennifer Brandon), Mills College, CA
\nSFAI, San Francisco CA
\n2014 The Battery, San Francisco CA
\n2013 Art Lab (Faculty: Kim Anno) California College of the Arts
\n2012 SF MOMA SECA Public Tour, Root Division, San Francisco
\n2009 Lecture: Geopolitical Ruptures, Leonardo Art Science Evening Rendezvous USF, CA<\/p>\n

MISC ACTIVITIES<\/strong>
\n2017 Panel Discussion, The Roles of Art and Technology in Shaping our Environment. SF Design
\nWeek. Pier 27. San Francisco, CA.
\n2016 Panel Discussion,\u2019Future Life Regression.\u2019 Kadist Foundation. San Francisco, CA
\nSession Lead: Rigging & Motion Capture, Game Jam. California State University, Hayward, CA
\nVisiting Artist: Graduate Seminar (Faculty: Anthony Discenza) SFAI. San Francisco, CA
\n2014 Director: The Artist and the Scientist: A Journal of Post Anthropocenic Aesthetics
\n2012 Editor: Visible Horizons, Published with a grant from the San Francisco Arts Commission
\n2012-2014 Project Manager\/Mechanical Engineer for Jim Campbell, San Francisco CA
\n2009 Co-organizer, Web Designer, Archivist: Rising Tide Conference, CCA and Stanford
\nPanel Moderator: Geopolitics; John Zarobell, SFMOMA; Ignacio Valero, CCA; Jay Jasper
\nPugao, Environmental Service Learning Initiative<\/p>\n

COURSES TAUGHT<\/strong><\/p>\n

Stanford University<\/em>
\nEmbodied Interface (Fall 2016)
\nAdvanced Interaction Design (Spring 2016, Spring 2017)
\nSculpture I (Winter 2016)
\nSculpture II (Winter 2016)
\nArt & Electronics (Winter 2016, Winter 2017)
\nData as Material (Fall 2015, Fall 2016)
\nDigital Printmaking (Spring 2015)
\nInterdisciplinary Art Junior Seminar (Winter 2012)
\nIndependent Study, Painting\/Drawing (3 students over Winter\/Spring 2016), Design (Winter 2016)
\nDigital Printmaking (Spring 2015)
\nMentor, Senior Capstone Projects (Spring 2015)<\/p>\n

California College of the Arts<\/em>
\nProgramming and Electronics (Spring 2017)
\nAdvanced Programming & Electronics (Spring 2017)<\/p>\n

California State University, East Bay<\/em>
\nSoftware Design for Multimedia (Graduate) (Spring 2016, Spring 2017)
\nProfessional Practices for Design (Spring\/Fall\/Winter 2016)
\nGraphic Communication (Winter 2017, Spring 2017)
\nGraduate Thesis Advisor (Spring 2017)<\/p>\n","protected":false},"excerpt":{"rendered":"

EDUCATION MFA, Stanford University, 2012 BFA, California College of the Arts, 2007 ACADEMIC APPOINTMENTS 2017 Assistant Professor Digital Media Arts, San Jose State University 2015 Lecturer, Stanford University SOLO & TWO PERSON EXHIBITIONS 2017 Still Life, Aimee Friberg Exhibitions, San Francisco CA* 2016 Rhonda Holberton, ZONA MACO SUR, Mexico City, …<\/p>\n

Continue reading<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-uncategorized","post-without-featured-image"],"_links":{"self":[{"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":3,"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/posts\/457\/revisions"}],"predecessor-version":[{"id":460,"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/posts\/457\/revisions\/460"}],"wp:attachment":[{"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/categories?post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rhondaholberton.com\/wp\/wp-json\/wp\/v2\/tags?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}